This post was first published in our CEO, Deborah's, blog.
I mentioned in an earlier post that I was watching the anime Bleach. This post is not about the show; it's just that it made me think about the idea of treating characters with dignity—or not treating them with dignity. Anime makes this concept easy to see (if your character makes a crazy silly cartoon face because they’re upset, you’re not treating them with dignity), but the concept holds true throughout all stories.
This blog post was originally published in our CEO, Deborah Natelson's, blog.
The old cliché of a question from fans and reporters to authors is, “Where do you get your ideas?” Most authors find this a very difficult question to answer, simply because there isn’t one specific place they get their ideas. “Ideas just come to me,” they say, or “out of my head” or “from anywhere.”
This post originally appeared in our CEO, Deborah Natelson's, blog.
There is a thriller movie starring a famous actor based on a novella by a famous writer. The main character is also a writer, and a major plot point in the movie is the importance of having the right ending. It is not enough to slap an ending on; if it’s not the right ending, it’s not good enough. It must be fixed.
It’s a clear evening and cold. I’m walking at the edge of my small town, away from what little light pollution the area produces this late at night. Far above me are the stars. I can recognize some major constellations—Orion and the Big Dipper are pretty obvious—but they don’t look like they did when I lived near or in cities. They don’t look like a few stars in an obvious shape; they are part of a tapestry of hundreds and hundreds of twinkling pinpricks.
I want to write right now, and I totally don’t feel like it.
I’ve been like this all morning—I’ve been up for about five-and-a-half hours so far—and it shows no sign of going away. I feel antsy, like I need to do something, but I don’t know what. Should I go to a café to write? Sometimes that works—but I don’t want to drive down there and spend money and sit down only to feel like I do now, like I am incapable of actually writing. Should I take a walk instead? Or will that only make me feel worse, for putting off what I wish to do?
This post first appeared in Deborah's blog.
So, as those who’ve been following my blog know, I’ve been engaging with a lot of Japanese media lately, and especially anime and light novels (with a bit of manga thrown in). As in, I’ve read over 100 Japanese novels in the past six months. This is relevant because in the particular subgenre I read, I’ve noticed a trend. It goes like this:
The first question I ask a writer I’m working with is “Who are your writing inspirations?" The second is "Whose book(s) are you reading now?”
I get inspiration from many different authors and always have a stack of at least three books I’m currently reading. I have inspirations for style, content, character development, action scenes, suspense building . . . and I try to read from pretty much every genre and topic out there. I’m a writer, so I need to immerse myself in writing. And I expect this from other writers.
Hello, Sarah Awa here again. You may know me as the bubbly social media lady, writer of werewolf novels, and purveyor of puns. My right brain LOVES those parts of my job! But my co-equal left brain needs its share of exercise too, which is why I also enjoy proofreading—getting to analyze and work with details. The concrete as well as the abstract.
I hate white noise. No, honestly, I do. White noise machines to me might as well be grumbling obscenities to themselves. I mean, why would you choose to listen to that?
(Because we’re all different, etc., etc., not my point.)
I read Michael Crichton’s Timeline back when I was in eighth or ninth grade. At the time, I was really into the quantum physics theory of parallel universes—to the extent that I plowed through some articles that were really beyond my comprehension. And by “plowed through,” I mean read slowly and repeatedly until I could force myself to understand them.